100+ Vampire Names for Fiction, RPG and Dark Fantasy

Vampire names carry freight that most character names do not. The right name announces where your creature comes from, how old it is, what kind of horror it embodies, and sometimes what it has lost. This guide collects over 100 vampire names for fiction, TTRPG campaigns, and dark fantasy worldbuilding, organized by origin, era, and tone, with etymology notes where the root actually changes how you should use the name.

What Makes a Vampire Name Work

A functional vampire name does at least one of three things. It roots the creature in a specific cultural tradition. It signals the vampire's age and status within that tradition. Or it marks the gap between the vampire's human origin and what it has become.

Dracula works not because it sounds dark but because Vlad Draculea was a real historical figure, and "draculea" meant "son of the dragon" in 15th-century Wallachian. The name lands with the weight of actual history behind it. When Bram Stoker borrowed it, he borrowed that weight. Names like Strix, Lamia, and Empusa carry the same kind of real-world traction. They come from Greek and Roman sources, they were used in genuine folk belief, and they bring that credibility into any narrative that invokes them.

The opposite mistake is choosing a name purely for phonetic effect: something that sounds dark without meaning anything. Names like "Darkmore" or "Shadowfen" read as invented for the role, which works in camp but not in horror or serious dark fantasy. The test is simple: could this name plausibly appear in a historical record, a folktale, or a genuine cultural context? If yes, it earns its place.

Classic Vampire Names From History and Literature

These names come from verified historical, mythological, or canonical literary sources. Using them anchors your fiction in a tradition that readers and players recognize.

• Vlad (Romanian, from Slavic vladeti, "to rule") - The historical Vlad III Dracula is the most documented vampire precursor. Useful for any vampire with political authority.

• Lilith (Hebrew, likely related to lilit, "night creature") - The oldest named female demon in the Judeo-Christian tradition. Appears in the Talmud as Adam's first wife.

• Strix (Latin, from Greek strix, "screech owl") - Roman folk creature that fed on blood, the direct ancestor of the modern vampire in Mediterranean tradition.

• Lamia (Greek) - Half-woman, half-serpent child-devourer from Greek mythology. Keats made her famous in English letters.

• Empusa (Greek) - Shapeshifting demon from the Hecate tradition, able to appear as a beautiful woman before feeding.

• Carmilla (fictional, Sheridan Le Fanu, 1872) - The first significant female vampire protagonist in English fiction, predating Dracula by 25 years.

• Varney (fictional, from "Varney the Vampire", 1847) - One of the earliest Victorian vampire serials. The name is Saxon in feel, useful for English undead.

• Ruthven (fictional, John Polidori's "The Vampyre", 1819) - The prototype of the aristocratic vampire. Lord Ruthven set the template Stoker inherited.

• Lestat (fictional, Anne Rice, 1976) - A Frenchified version of Laetitia, chosen by Rice to give her vampire an 18th-century French register.

Male Vampire Names

These work across fantasy, horror, and TTRPG contexts. Where the origin matters for tone, it is noted.

• Aldric (Germanic, "noble ruler") - Conveys old European aristocracy without being overtly gothic.

• Casimir (Slavic, "proclaimer of peace") - Good for a vampire who presents a diplomatic, civilized face.

• Dorin (Romanian, "wish" or "longing") - Understated, appropriate for a melancholy vampire with a human history.

• Emeric (Hungarian variant of Henry, "power") - Used in medieval Hungarian nobility, fits Carpathian vampire lore well.

• Fabian (Latin, from Fabius clan) - Suggests Roman origins for a very old creature.

• Gregor (Greek via Latin, "vigilant, awake") - The etymology is darker than it sounds in English. Works for a vampire with a calculating intelligence.

• Iordan (Romanian form of Jordan) - Gives a vampire a plausible Eastern European birth identity before the turning.

• Lazlo (Hungarian, variant of Vladislav) - Common enough in Hungarian history to feel real, distinctive enough in English fiction.

• Marius (Latin, from Mars) - Used by Anne Rice for a vampire who lived through Roman antiquity.

• Nikolaj (Slavic form of Nicholas) - Period-appropriate for a vampire of Eastern European origin.

• Rasvan (Romanian, "warrior of war") - Rare enough outside Romania to read as invented, but it is not.

• Serafin (from Seraphim, Hebrew angelic order) - For a vampire who retains or performs religious memory.

• Theron (Greek, "hunter") - The etymology does the work that most invented dark names try to do artificially.

• Valerian (Latin, from valere, "to be strong") - Roman plant name also used as a personal name; its medicinal association adds an ironic layer.

• Zoltan (Hungarian, from Turkish "sultan") - Used across Hungarian and Romanian nobility, correctly registers as Carpathian.

Female Vampire Names

Female vampire naming has its own tradition, running from Lilith and Lamia through Carmilla and into Anne Rice's more elaborate genealogies. The names below respect that lineage without copying it.

• Aderyn (Welsh, "bird") - Uncommon enough outside Wales to seem invented while being entirely genuine.

• Aoife (Irish, "beauty" or "radiance") - The irony of a radiant name on a predator is available to use or ignore.

• Csilla (Hungarian, "star") - From Hungarian folk tradition, usable for a vampire with genuine folk roots.

• Daciana (Romanian, from Dacia, the Roman province) - Signals Carpathian origin with historical specificity.

• Elisabeta (Romanian form of Elizabeth) - The name some adaptations use for Dracula's human memory of his lost wife.

• Gavrilah (Slavic form of Gabrielle, "God is my strength") - For a vampire whose religious life preceded and complicates the turning.

• Isolde (Celtic, possibly "ice ruler" or "iron lady") - Carries Arthurian weight without being overused in vampire fiction specifically.

• Livia (Latin, from the Roman empress, "blue" or "envious") - A name with genuine Roman aristocratic history.

• Morrigan (Irish, "phantom queen") - The goddess of war and fate in Irish mythology. Effective for a vampire who commands rather than seduces.

• Nadia (Slavic, "hope") - The contrast between meaning and function is a craft tool, not a gimmick.

• Ruxandra (Romanian, from Persian "shining light") - Used in medieval Romanian royal families; specific and defensible.

• Saoirse (Irish, "freedom") - Another ironic contrast available. Requires correct pronunciation in a read-aloud context.

• Tatiana (Russian, from the Roman Tatius clan) - Common in Russian aristocracy across the 18th and 19th centuries.

• Viorica (Romanian, "violet flower") - Delicate name on a creature of the night; the contrast is yours to use.

• Zora (Slavic, "dawn") - The vampire who exists at the edge of day. The most common direction to take the name, but it holds up.

Vampire Names by Cultural Origin

The vampire does not belong to any single culture. The creature appears independently across Eastern European, Mediterranean, Asian, and African traditions, each with its own vocabulary of names and properties. Tapping into this breadth gives your fiction or your Codex a density that single-tradition naming cannot provide.

Romanian and Slavic Roots

Romanian and Slavic folklore produced the densest cluster of vampire lore, and the names from this region carry the most weight in contemporary dark fantasy. Key terms that function as names or epithets include:

• Strigoi (Romanian, "troubled spirit") - The Romanian word for vampire, usable as a name for a creature tied to that specific tradition.

• Moroi (Romanian, from mort, "dead") - A living vampire or a ghost, depending on the regional variant.

• Vrykolakas (Greek/Bulgarian) - The Greek-Bulgarian folk vampire, associated with werewolves in some traditions.

• Upior (Polish, variant of the broader Slavic upyr) - The oldest attested form of the word "vampire" in the historical record.

• Shtriga (Albanian, related to Latin strix) - Albanian blood-drinking witch-spirit.

Names From Asian Vampire Traditions

Vampire lore appears independently in Chinese, Japanese, Indian, and Malay traditions, offering a different register for settings that step outside European frameworks.

• Jiangshi (Chinese, "stiff corpse") - A creature category that functions as a name for a specific vampire in a Chinese-influenced setting.

• Penanggalan (Malay) - Disembodied head-and-organs vampire of Malay tradition. Unusual and specific enough to stand as a character name.

• Vetala (Sanskrit, "ghost that inhabits corpses") - From Hindu tradition, appears in the Baital Pachisi stories. Carries philosophical weight different from European horror.

• Aswang (Filipino) - Shape-shifting vampire-witch from Philippine folk tradition, with strong regional specificity.

Modern Vampire Names for Contemporary Settings

Not all vampire fiction is set in Carpathian castles. Contemporary urban fantasy, gothic horror, and modern-day RPG campaigns require names that work in a present-day context without losing their edge.

• Cain (Hebrew, "acquired") - The first murderer's name has functioned as a vampire ur-myth across multiple franchise traditions for decades.

• Corvin (Latin, "raven") - Used in both Romanian history (the Corvinus dynasty) and modern dark fantasy.

• Darian (from Darius, Old Persian) - Works in a contemporary setting without sounding like a costume.

• Elara (Greek) - Name of one of Zeus's lovers, useful for a vampire who has shed her earlier mythology.

• Hadrian (Latin, from the emperor) - Modern enough to use as a first name, specific enough to suggest antiquity.

• Kieran (Irish, "dark one") - The etymology does exactly the right work without announcing itself.

• Luca (Latin form of Luke, "light") - Contrast between name and nature is a craft tool available here.

• Mora (Slavic, "nightmare spirit that rides sleepers") - Doubles as a first name with genuine folk-horror history.

• Selene (Greek, goddess of the moon) - Widely used in popular fiction but etymologically solid; handle with awareness of saturation.

• Vance (English, Norman French origin) - Contemporary name that suggests recent human origin, useful for a vampire who turned in living memory.

Naming Your Vampire: Three Questions Worth Asking

Before settling on a name for a vampire character, whether for a novel, a campaign, or an RPG sheet, three questions give the decision craft rather than guesswork.

Where was this creature born, and when? A vampire who turned in 14th-century Wallachia has a very different name pool available than one who turned in 1920s New Orleans or contemporary London. Anachronistic names do not need to be errors: a vampire might have adopted a new name after turning, or changed identity over centuries. But the choice should be deliberate, not accidental.

What does the name signal about the vampire's self-presentation? Aristocratic names suggest a vampire who has maintained or claimed status. Peasant or working-class names suggest one who never escaped their human origin, or who is performing humility. Names from the creature's folkloric tradition signal self-awareness about what it is. Names from entirely different traditions suggest displacement, disguise, or a long history of migration.

Does the name survive contact with the reader or player? Some names that look strong on paper become awkward to speak aloud at a table or to encounter repeatedly in prose. Unpronounceable names, unless the difficulty is intentional, create friction that works against immersion. The names in this guide have been selected partly on the basis of legibility: they read cleanly in English while retaining their original register.

The lore either earns belief or it doesn't, and a name that cannot survive a GM announcing it at the table is a name that will not hold up across a campaign.